by Val McDermid
Northanger Abbey is the second in the series of books reimagining some of the works of Jane Austen. Of Austen’s books, Northanger Abbey is probably the least well known, but it has always held a certain fascination for me. Although it follows the traditional girl meets boy, they fall in love, are separate by circumstances before finally coming together for the obligatory happy ending, Northanger Abbey has a darker and more intriguing theme. And it is that element of the story that seems to have attracted McDermid to the Austen Project.
At first it might seem rather strange to have a respected crime writer tackling a piece of romantic fiction. But Northanger Abbey’s sinister undercurrent provides the perfect vehicle for McDermid’s style.
Bringing these books into the 21st century does require some imaginative thinking, but to me what is most intriguing is just how little needs to change. In this interpretation, only the location has changed, moving the bulk of the action from the original Bath to modern day Edinburgh, where the Fringe provides the necessary gatherings and public events. Consequently, Northanger Abbey is now in the Scottish Lowlands which seems rather more fitting than the original.
The story remains virtually unchanged, as do the characters, with just the occasional tweak to bring their stories up to date. Catheryn Morland is the same innocent young woman, sometimes struggling to tell the difference between reality and the plots of the books she reads and begins to invent her own theories about the family and events that inhabit Northanger Abbey.
As you would expect from a writer with McDermid’s reputation, Northanger Abbey is well written and full of pace and drama and not a little wit and tension. As a fan of Miss Austen’s work, I have approached each of these reimaginings with just a little trepidation. These books have become part of our literary heritage, but their language and settings are not to everyone’s taste.
What this series does is make Austen’s original stories more accessible to a wider audience. For me, the originals can never be improved on. The language, settings and manners of the time are as much a part of the book as the story itself. However, I very much enjoyed this retelling of one of my favourite Austen stories and would happy recommend it to fans and novices alike.
Reading this book has also reminded me of the works of one of our most respected modern authors. I will definitely make an effort to pick up a book or two in the near future.